Showing posts with label Uji. Show all posts
Showing posts with label Uji. Show all posts

Wednesday, September 11, 2013

Mimurotoji Temple – UJI (Kyoto)

Believed to have been built in the 8th century, Mimurotoji is famous as the 10th of the “33 Holy Places of the Western Country,” a series of temples dedicated to Kannon which used to be a popular pilgrimage route in ancient times. In this temple’s main sanctuary are a gilt bronze statue of the thousand-armed Kannon, a statue of Shakyamuni and a statue of Bishamonten.

The temple is also notable for its Muromachi-period (1333-1568) karesansui (waterless rock and sand garden) and its kaiyu-style garden (many pleasure style garden for strolling) full of colorful azaleas, rhododendrons and hydrangeas. There is a stone monument in the temple grounds dedicated to the tragic Ukifune, a character of the Uji Chapters of the Tale of Genji, and another inscribed with a poem by Matsuo Basho.

At any time of the year Mimurotoji has spectacular floral displays, especially its azaleas, hydrangeas and lotus blossoms, which is why it is known as the ‘Flower Temple.’

Hondo





Famous Sumo Wrestlers Hand Prints

Prayer Wheel




















Formal name: Mimurotoji  三室戸寺
Mountain: Myōjōzan 明星山

Buddhist denomination: Shingon - Honzan Shūgen sect

Principal Image: Senjū Kannon (Thousand-armed Kannon)
Open to the public: Once every 33 years

Address: 611-0013京都府宇治市莵道滋賀谷21

Phone number: 0774-21-2067

Opening hours: 8:30 - 16:00

Entry Fee: 500 yen


Wednesday, August 14, 2013

Obakusan Mampukuji - Uji-shi, Kyoto

Obakusan Mampukuji is the head temple in Japan of the Obaku sect of Zen Buddhism, and the teaching monastery for the sect’s student monks. Obaku is one of three Zen sects found in Japan, the other two being Rinzai and Soto. Obaku has some 460 branch temples throughout Japan.

The founder of Manpukuji was a Chinese Zen Master, Ingen (Chinese Yin-yuan, 1592 – 1673), who at the age of 29, entered the temple Mampukuji (Chinese Wan-fu-si) on Mt. Obaku (Chinese Huang-bo) in the Chinese provine of Fukien (Fujian), eventually becoming its head monk.  Having been invited to Japan, he arrived in Nagasaki in 1654. At that time, Nagasaki was the only seaport in Japan where trading with China and Holland was allowed.

Master Ingen spread the Dharma, the true teaching of Rinzai, in Japan, attracting many Japanese monks who came and studied under him. The Japanese were impressed by the new Chinese type of monastic life he introduced, characterized by a rigid and literal translation of the Buddhist precepts and the sandakaie (triple platform ordination ceremony), a superior ordination method new to Japan. Those whose respect he gained included the abbot of Myoshinji, Ryokei (1602-1670), was to become a disciple, the retired Emperor Gomizunoo (1596-1680) and the fourth Tokugawa Shogun, Ietsuna (1641-1680).

In 1661 Master Ingen built a temple, Mampukuji, on a hill he called Obakusan, at Uji. The name was chosen to commemorate the Chinese temple of the same designation, and because of the number of Obaku (Chinese cork trees) found there. The Obaku was a useful tree to have in the environs of a monastery, for it has medicinal properties, being effective against abdominal disease, and is used to dye paper and textiles yellow. Mt. Obaku in China was where Zen Master Obaku Kiun (Chinese Huang-bo Xi-yun
deceased 850), the master of Rinzai (Chinese Lin-ji) was ordained. The temple name, Mampukuzenji, translates as “ten thousand-fold happiness Zen temple,” had been given under imperial ordinance in 1614 by Emperor Shen-zong (1573-162) of the Ming dynasty. Ingen died at the age of 82; later emperors of Japan honored him with six posthumous titles granted in his memory on every fiftieth anniversary of his death. The Obaku sect achieved rapid progress at that time, and many branch temples were erected all over Japan by both Chinese and Japanese disciples.

The introduction of the Obaku monastic regulations to Japan represented an attempt to revitalize the Rinzai and Soto Zen, and it was to promote further reform movements during the middle Edo period. Obaku had an important influence on many aspects of Japanese culture, including calligraphy, painting, design, architecture, publishing, diet and medicine.

Ever since the Ming dynasty, Chinese Buddhism has moved toward syncretism. The dominant ideas and teachings of each period have adapted to that syncretism. A strong religious trend among lay people during the Ming dynasty  was faith in the Pure Land (afterlife). Echoes of this faith are still to be found at Mampukuji in the daily service and the memorial services for the laity.

The Mampukuji temple complex has characteristics of Ming-style temples and contains a large number of cultural properties – twenty-three main buildings, the cloister between the Hatto and Tennoden and attached buildings dating from the mid-seventeenth century. There are also numerous well preserved important images, hanging wooden boards and carved calligraphy, paintings, wood-block copy plates of the Tripitaka and other artifacts.

Unique to Obaku is fucha ryori, vegetarian cooking in Chinese style. It originated from the special dishes cooked by monks and served after ceremonies to participants. Many visitors to Mapukuji have enjoyed this “taste of the Zen mind.”

Another cultural pursuit associated with Mampukuji is a tea ceremony called senchado (the way of steeped tea>, in which high quality green tea leaves of two typles (sencha and gyokuro) are steeped in a small pot of water. This ceremony is different from the more well-known chanoyu ceremony, which features powdered tea (matcha) whipped in a bowl. Senchado is based on Chinese Ming dynasty tea preparation methods introduced to Japan by Ingen and his followers. An Obaku priest, called Baisao (old tea merchant) popularized senchado in the eighteenth century and is enshrined at Mampukuji. The All Japan Senchado Association located at the temple hosts a large scale sencha tea ceremony twice a year and many sencha schools perform tea ceremonies at various locations within Mampukuji in the spring and autumn.

Obakusan Mampukuji
Sanbanwari 34, Gokanosho
Uji-shi, Kyoto 611-001
Tel: (0774) 32-3900
Fax: (0774) 32-6088
Obakusan Web Site in Japanese










Indian Sanskrit overlooking Zen rock garden





Lotus








Thursday, June 27, 2013

The Phoenix Hall at Byodoin Temple in Uji is the very image of Buddhist heaven.

HŌ-Ō-DŌ, Phoenix Hall - the Finest Temple of the Fujiwara clan.

The Hō-ō-dō or Phoenix Hall is the main temple of the Byodoin monastery. It is located in Uji which is south of Kyoto. Uji is famous for its green tea, rich history and association with Japan’s first novel, the Tales of Genji.

Phoenix Hall was originally a country palace for the Fujiwara clan. It was converted to a temple by Yorimichi Fujiwara to enshrine the Buddha Amida. Everything inside the Byodoin is the finest among the mid Heian era's architecture and art, and graceful as a Zuicho (bird of luck).

Originally the building was in the style of shinden-zukuri. Shinden-zukuri was the architectural style of Japanese nobility’s residences. Its main apartment called shinden or bed chamber faced south to bring in sunlight and opened on the pond of a beautiful garden. Shinden-zukuri is landscape architecture. It is bringing landscape “into” the living area.

Byodoin Temple was established by Kapaku (chief advisor to the Emperor) Fujiwara Yorimichi in 1052. Phoenix Hall was constructed the following year (1053) as the Amidabha Hall (national treasure) to enshrine a stature of Amitabha Tathagata (also a national treasure). The garden, a Pure Land (Jodo) style (borrowed landscape) garden, has been designated a historic site and a place of scenic beauty. The Suhama (sandy beach), the Hirabashi (flat bridge), the Soribashi (arched bridge), and the Kojima (small island) surround Phoenix Hall.

Byodoin houses numerous cultural assets from the Heian Period: Yamato-e style paintings depicting Amida’s nine grades of descent, the Buddhist Temple Bell, and the pair of Phoenix’s – all national treasures. Of special interest are the 52 statures of Worshiping Bodhisattvas on clouds. These gracefully carved national treasures, the only existing group of Buddhist statues from the 11th century, float on clouds while dancing or playing various musical instruments.

Byodoin was built in order to create a Land of Happiness, in a scenic spot along the river facing the Asahi-yama mountain. The palace features unique architecture which consists of the Chudo (central hall), left and right wing corridors and a tall corridor (the body and wings of the Phoenix). Inside, there is a collection of Pure Land (Jodo) Buddhism sect art from the Heian Period, including a seated statue of Amitabha Tathagata, the only existing Buddhist image confirmed to have been made by Jocho, a sculptor representative of the Heian Period. Phoenix Hall is also home to wall and door paintings depicting Aminda’s nine grades of descent. At present, 26 statues of Worshiping Bodhisattvas on clouds are on display at the Hoshoken museum.

The land of happiness is the place where a person goes in the after-life. Images of the Heian era feature drawings of the land of happiness, with Amida in the middle of a palace style temple with a pond in front. The Jodo style garden was created with this concept. Japanese nobility had power and money at this time so they could build the temple of their dreams in hope of residing there in the after-life. The Jodo sect had a simple teaching, “If you pray to Namuamidabutsu, your life will be renewed in the Land of Happiness.”

On display inside the temple museum is the temple bell. This bell, referred to as the sugata no byodoin, was regarded as one of the three most prized temple bells in Japan during the ancient period. This bell is famous for conveying a sense of serenity to the viewer.

Japanese temple bells traditionally include the following four features: a ryûzu, or dragon head sculpture that sits atop of the bell; a tsukiza, or round site at which the bell is struck to produce the best sound; an obi, or decorative sash connecting the ryûzu and tsukiza; and a series of ma, or square, flat surfaces decorated with carvings.

This temple bell is distinguished by the fact that the ryûzu or dragonhead, and the tsukiza, or striking site, are both oriented in the same direction. In addition, every surface of this bell is covered with dense carvings, with the exception of the symmetrical raised dots on the upper portion of the bell. These dots are referred to as chi in Japanese, or nipples.

The patterns on this bell are considered to strike a particularly good balance. If you look closely at the vertical decorations on the bell, you will see a series of representations of phoenixes and heavenly beings playing musical instruments interspersed with lotus-flower and arabesque motifs. Also, on the top row of horizontal decorations is made up of a series of interconnected dragons, which are carved in tiny and meticulous detail.

This is the only bell in Japan to contain such a density of carvings, a feature which is said to resemble ancient Korean bells. At the same time, this bell also contains elements of structural design which are unique to Heian and Kamakura Period temple bells.

Byodoin Temple has been featured on Japanese currency (10 yen coin) since 1951.

Byodoin Temple
116 Ujirenge Uji-shi, Kyoto Prefecture 611-0021Japan
Telephone: +81 (0) 774 212861
Fax: +81 (0) 774 206607
Temple Site in Japanese

Uji is located between Kyoto and Nara, 16 minutes from JR Kyoto Station and 32 minutes from JR Nara Station via express train. 
Using the JR Nara Line, get off at Uji Station and walk 10 minutes east.
Using the Keihan Uji Line, get off at Keihan Uji Station and walk 10 minutes.


Twin Phoenix's (how the temple got the name)

Entrance

Temple Grounds

Temple, flat bridge and arched bridge




Temple Bell Replica (original inside museum)



National Treasure


From the 11th Century

National Treasure